I was having a conversation last week about my favourite architect Alvar Aalto, and as I chirped away I mentioned the very beautiful details of Maison Louis Carré. I’m usually not one for taking others photographs and putting them on Kitka, but I’ve been compiling some inspirational photography to keep as a reference for our own home and I felt compelled to share with you these beautiful photographs.
Each set actually comes from very different places:
The first is by Doctor Casino – a Flickr user who has a wonderful eye for architectural photography.
The second was pulled from the Maison Louis Carré website.
And the third – a contemporary fashion shoot by photographer Ben Sandler.
The home itself was completed in 1959 for very famous art collector Louis Carré. Aalto was asked to make a family home in the French country side with an incorporated gallery. Aalto felt that both art and family life are not separated by one and another, in fact the tendency is the reverse. There is a very intimate connection between them.
The other stipulation the client asked of Aalto was that the home be made of materials that had lived.
This was a task that Aalto was pleased with. He sourced the stone work locally from Chartres, and treated the brick with a white plaster lime-wash. The exterior was completed with copper sheeting, pine, and a slate roof.
The exterior is perhaps one of Aalto’s most extensive with regards to landscaping – carving down the elevation from the back of the home like waves creating a visual downward movement.
The elements on the inside are just as beautiful as the exterior.
Let’s take a look…
An armchair 406 in natural leather.
Many of the lighting fixtures were produced specifically for this project.
A room surrounded by books was very important to the client.
The exterior with lime-washed bricks.
The elevations in the landscaping.
Above photos by Doctor Casino.
Some details worth taking a close look at.
Above photos from: http://www.maisonlouiscarre.fr/
This collection of photographs was something I’ve had bookmarked forever, and since it was featured in so many places I didn’t think it was necessary to share them. However, if we’re compiling photographs of Maison Louis Carré, it would be a sin to not include this set.
One of my favourite pendants, the turnip light. I’m hoping Artek will put this back into production at some point.
Photography by Ben Sandler
Just in the midst of finishing up this post our Lime-washer Ben, who is actually from Britain started lime-washing our own exposed brick wall. The elements of wood, copper, and white lime plaster are all inspired by Aalto’s natural palette and we’re excited to incorporate these elements in our new home.
I can’t wait to see what it looks like when it’s all finished.
I hope everyone’s week is going well. I’m sorry for our blog neglect recently, we are so close to having the baby and there are so many loose ends to tie up before her arrival. Something we’ve been meaning to share with you all that we needed to clean the apartment up first to photograph is our new table by Winnipeg based architect and designer Thom Fougere.
You might recognize it from the IDS coverage we did this year, the beautiful Manitoba tyndal stone was unlike anything we’ve ever seen. We asked Thom during the event if he would consider selling us his prototype, I think our enthusiasm paid off and he accepted.
The table is nice and low, so when you stand over it the stone looks as if it’s hovering above the steel structure.
This is our view of it from the sofa. Don’t worry, we have some very nice Pia Wallen felt coasters that will keep the top looking nice and crisp for a long time.
Recently we found out that because of the delayed permits, our renovation is not going to be complete until the fall. As a result, we figured we better make ourselves feel more at home in our temporary apartment, because we’ll be spending a lot of time there in the early baby days. So the first thing we did was head over to ecostems to buy some plants!
On the left are some special edition Kin tea light holders by Claesson Koivisto Rune. Seventy-five were made for disaster relief in Japan through the shop Sfera. Coated with traditional Japanese Urushi, we have a black, red and green version.
Large furry Dala horse was bought off Ebay.
On the right is a Pure Nature Pillow by Dorte Agergaard. We will have more stock in the shop soon (we just need to order pillows for the cases).
Encaustic artwork is by Beverly Owens.
Photographic artwork is by Joshua Jensen-Nagle (our first art purchase).
We bought this wall vase by Masanobu Ando on our honeymoon in Hokkaido. We will be hosting Ando-san on February 23rd at Mjölk for an exhibition of his amazing ceramics. We’ll post the invite this week!
Yesterday I had a date with our basement. Our apartment walls are paper thin, and with the impending baby arrival I wanted to make a space in the basement that I would feel comfortable playing music in. The mini-reno took me to Home Depot, to buy 80 boards of cedar and a miter saw to clad up this weird little glassed in room. Cedar was ideal because it holds up against the moist basement, looks good, and it smells fantastic.
Here’s a view of the room under the stairs, I think I might frost the glass so I don’t have to look at the mess in the rest of the basement.
Time to get to work, the hardest part was deciding whether to install the slats vertical or horizontal. I ended up going horizontal to stay away from the traditional wood paneling look.
Here’s my new little Ryobi miter saw, only $99 and works perfectly for these little jobs. The only limitation is you can’t cut very wide boards.
I thought I would tackle the most difficult wall first, and it came out pretty nice.
For the next wall I just butted up the ends of the boards against each other, nothing fancy.
The angle under the stairs will be a nice little keyboard nook.
Here it is with all of the walls finished. I still need to decide on flooring, install the baseboards, and decide whether or not to conquer the ceiling.
Can’t wait to get it all cleaned up and move all my old gear in!
If you have walked / biked / or driven past our store during the last few months it would be fair for you to think we had closed down based on the amount of scaffolding and hoarding in front of our building.
Unfortunately the scaffolding needed to go up to assess the state of the windows, and stayed up during the entire permit process. Now that the permit was finally approved yesterday everyone is scrambling to get the exterior work finished before the winter, and to our dismay the facade work won’t be completed until January.
Through the whole permit process you find yourself starting to loathe the bureaucrats at city hall. The act of simply stamping a piece of paper that had already been approved by two other people should not take 8 weeks to do. The worst thing is you try to be nice with them, because you know if they sense attitude your project might end up at the bottom of the pile.
At the end of the day, news of the approval made us more optimistic. Things are happening upstairs and there is a new energy to get the ball rolling on everything. We have come to terms that the renovation won’t be completed in time for the baby, but in the end it will all be worth it.
A plywood slide to carry down all of the debris to the lower roof. Not the easiest site to work on!
Hopefully the updates in the future will start to look less like an industrial work site.
We hope this week will be the last week of demolition. the walls are gutted right to the brick and the ceiling has completely opened up, we’re looking for anything that could be salvaged but it looks like we need new everything, floors, drywall, windows.
The front oriel windows float off the end of the building.
This is something you don’t see often, 19th century engineering. Using a similar formula to a suspension bridge, the weight of the windows are supported by a long horizontal beam and to offset the sag, two beams are connected at an angled point and a metal spike is driven in the center.
Surprisingly enough this tactic was enough to hold the oriel windows for over a century, but after a lot of water damage and rot to the original beams this will have to all be replaced (budget buzzkill).
We would love to plaster over the brick walls instead of using drywall as it would add such a beautiful texture. We fell in love with white painted plaster after seeing it used countless times in buildings by Alvar Aalto. Unfortunately we have to keep in mind sound and insulation.
Peeling back the walls you can see some of the original details like the remnants of an old window.
Or this beautiful curved wall detail made with the building’s original plaster.
You can now see all the way from the back to the front.
These are the original ceilings which might look beautiful sprayed white but the pattern is very busy and distracting, plus having a clean drywall ceiling means hiding all of the wires used for lighting.
So many decisions to make!