Last year when we visited Kumu in Tokyo, we picked up this beautiful mobile, which currently hangs over Howell’s crib, accompanied by (and complimentary to) a Junpei Ori painting. Every baby needs a mobile, and we like to buy mobiles that can be enjoyed long past babyhood.
This particular piece caught our eye because it’s so delicate yet balanced, and its movement was so subtle.
I was particularly excited when the designer of the mobile contacted us via email, because she is actually a follower of the blog and read that we had bought her piece. Having lived in Japan, Annett shares our affinity for the Northern spirit and aesthetic.
Currently based in Portugal she picks up bits’n’pieces for the mobiles during long walks on the beach and in the streets of Lisbon.
Here are some descriptions of the mobiles she currently has up on her website:
room poetry made of found objects
in a silent conversation with air and light
a kinetic sculpture composed with found material
fragile metals and stones transformed by the ocean
We didn’t do too much shopping on our last trip to Stockholm, but we did manage to all come away with a little something. Claesson Koivisto Rune gifted us their book about their recently completed architectural project The inde/jacobs gallery in Marfa, Texas. They also collaborated with Skultuna to create a limited edition run of paper weights, so we popped by the Skultuna concept store to pick one up.
Marfa 1/32″ = 1′ Scale model paperweight
The desk in the inde/jacobs gallery is strategically placed in the cross-breeze between the entrance and inner courtyard doors. To hold papers down, the Marfa 1/32″ = 1′ paperweight was designed. Made in the shape of a scale model of the gallery and manufactured in sand-cast and polished brass by Skultuna, a Swedish brass foundry established in 1607.
Nearby is a little Swedish folk craft shop we like to visit called Svensk Slöjd. They happened to have some simple brown leather clogs on sale, and I couldn’t pass up the $20 score. Looking forward to wearing these around the cottage.
We’ve been waiting years to indulge in some Pippi Longstocking…Elodie is still a tad too young for the movies but we thought an introductory book and the hobby horse (and a dress, not pictured) were a good place to start. We had to go to three toy stores to find that horse – there was something about buying the Pippi horse that had to happen.
Day three brought us to Gamla Stan for a morning meeting. I absolutely love the coloured buildings. It was an especially grey and dark week and the colours certainly bring some joy.
We enjoyed a lovely conversation about design at Cia Weden and Lovisa Wattman’s shared studio. You may remember Lovisa from our very first Mjölk book. I absolutely love how the Swedish offset the dimness of winter with candles.
Terrazzo flooring at Gamla Stan station.
Next up was lunch at Ett Hem. We originally wanted to stay there but they were fully booked, so a meal in their kitchen was the next best option. Served at the communal harvest table in the cozy kitchen, we dined on a two course meal. To our surprise, none other than Ilse Crawford ended up dining with us. What a pleasure it was to be able to discuss design with her.
Then we had a quick peek around…
Pallo Vase by Carina Seth Andersson.
I liked the green tile in the bathroom, which matched my blouse.
Our first visit to the Svenskt Tenn tea room.
Estrid Ericson‘s office.
A few weeks ago we went to Stockholm for the Furniture & Light Fair, and to reconnect with friends, since we missed the previous year. I didn’t bring my camera but most of the following photos were not shared on Instagram.
For this trip we got a bit extravagant and stayed at the Grand Hotel. It had been our 5 year wedding anniversary recently and we thought we’d celebrate in style. Too bad I got a terrible cold on the lead up to the trip. On the upside, the hotel spa was a total benefit, one that I am afraid has spoiled me forever. Imagine after 12 hours of travel time, arriving at your hotel and being able to decompress in the steam room, sauna, pools and massage service.
Above is the view from our room.
Since we usually stay in Södermalm, we weren’t sure where to grab a bite close to the hotel. We were looking for a konditori and it was suggested to go to Wiener Caféet, where we grabbed a late lunch and shared our first of many semla.
The following day we spent at the Furniture Fair. We barely managed to see anything because our discussions with our suppliers took most of our time.
This year there were two designers representing Canada in the Greenhouse section of new design. Above is local Toronto/Junction design duo MSDS Studio. They also participated last year, whereby several of their lights were picked up and put into production by Danish brand Woud. This year’s collection was equally tight, the photo above not doing it justice. My favourite pieces were the porcelain lamps (prototypes made by Alissa Coe).
We’ve been working with Thom on developing his prototype for a fireplace tools set. We have yet to purchase one for our home, because it’s so challenging finding a nice modern set (we once tried to buy a vintage set but it was priced around $10,000!).
We hope that everyone had some success at the fair!
Back in September (2015), we were invited to Oslo to do a launch party for Anderssen & Voll’s Gardening Collection. Our lovely hosts were Jannicke and Alessandro, stylists and shop owners of the fantastic Kollekted by:.
The brass, wood, glass and terracotta products looked right at home in their space. This is the joy of natural materials.
The space was previously a butcher shop, and they kept some of the details, such as the white tile, to great effect.
The amazing green terrazzo floor made us envious, and perfectly suits the furniture, products and space they have curated.
The bar set up for the party, featuring our herb pot on standby. Herbed cocktails were served by a bartender from Torggata Botaniske, an Oslo bar filled with lush plants and herbs.
Beautiful giant slabs of cheese garnished with edible flowers, and other appetizers were provided by Trattoria Popolare, a fantastic Italian restaurant that we frequented often for lunch with the Anderssen & Voll team (who also designed the interior).
Amazing turn out, outside and in!
After the party we were treated to dinner at Nedre Foss. Designed by Anderssen & Voll, this was an ambitious project, with full restaurant and brewery, and all the details were meticulously designed with the space in mind, right down to the hand painted wallpaper.
Sadly, just before New Year’s, there was a massive fire in this historic building. There are plans to rebuild, however, and Anderssen & Voll will be assisting again.
We will be hosting our third retrospective exhibition of Oji Masanori during the 2016 Toronto Design Offsite Festival. This year is particularly special because we have commissioned and collaborated on a collection of lighting designed by Oji Masanori and produced using local Canadian artisans and small manufacturers.
Please join us for the opening reception Wednesday, January 20, 2016 from 7:00pm – 9:00pm Mjölk (2959 Dundas Street West, Toronto).
Furthermore, we will be hosting a TODO Talk: Join Melanie Egan (Head of Craft & Design at Harbourfront Centre) and Oji Masanori for an interview about his studio practice and the current collaboration. Saturday, January 23, 2016 from 11:00am – 12:00pm. Please RSVP through the Toronto Design Offsite Festival website.
I was first introduced to Mjölk five years ago and had the chance to get to know John and Juli. Mjölk, part shop, part gallery, has since become one of my favorite destinations.
John has contacted me about Mjölk Made; a collaboration between designers, the shop, and local Toronto manufacturing. I flew into Toronto so that I could immerse myself in the culture of the city. I was curious about lifestyle, interior layouts, room sizes, and the ways in which people lived.
This trip resulted in a lighting project that was to utilize the craftsmanship of a historic brass company located in the city. I was able to visit their shop, meet the makers and better understand their processes and limitations.
For this exhibition, I have designed two pendant lamps; simple shapes that share subtle details of quality, form and materials. I devised them so that balance and harmony can be felt and seen.
The Hemisphere Pendant resembles a large mobile, playing with various materials, scales and sizes. The smaller brass hemisphere is pointing light down towards a table, while the big copper hemisphere lights up, towards a ceiling, shedding light indirectly over an entire room.
The Diamond Pendant has a brass balancer and an LED light bulb. The fixture can be carefully touched and moved in order to adjust height and position.
I designed these two lights for Toronto. They were created out of an image of a Torontonian, a Canadian, who lives peacefully and considers the people around them, respecting differences while living in a complex and diverse city. From my visits to this city, I think, people in Toronto are very skilled at combining, mixing and blending culture with simplicity.
Mjölk, as a curated space, shares this cohesive blend. It is the perfect mix of international design and Japanese craft. I hope for these collaborations to continue to connect people and carefully crafted objects, to bring peaceful products all over the world.
– MASANORI OJI